ARCHITECTURE AND SOCIETY IN
YENDI, KAFABA, SALAGA, KUMASE
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Hyland, A. D. C., An
Introduction to the Traditional and Historical Architecture of Ghana (In Maggie
Dodds (ed) History of Ghana, American Womens Association, Accra 1974)
KONKOMBA
Prusson, Labelle, Architecture
in Northern Ghana, a study of forms and function Berkely Calif 1969 (includes
a Konkomba hamlet, Yankezia and a Dagomba village, Kasuliyfli)
Froelich, Jean Claude.
La tribu Konkomba du nord Togo. Dakar, IFAN. 1954. Titles are rough (and sometimes partial)
translations from the French. For accuracy please refer to the original.
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The House
61 Bedroom or kitchen
62 Entry
62, 63, 64 Grain silos
65, 66, 67, 68 Wall construction
69, 70, 71 Roof construction
72 Senior wife’s room
73 ‘porcherie’
74 Cylindrical grain silo
with raised floor
75 Oven
76 Medicine store
77 Oven
78 Silo |
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79-84 Room details |
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107 Room interior
decorated in black on white. |
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86-87 House layouts |
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Plate III-1 View of
house |
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Plate III-2 Spiral
wall construction with entrance (under construction) |
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Plate IV-1 Silos |
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YENDI
Prusson, Labelle, Architecture in Northern
Ghana, a study of forms and function Berkely Calif 1969 (includes a Konkomba
hamlet, Yankezia and a Dagomba village, Kasuliyfli)
KAFABA, SALAGA
Gouldsbury report 1876 re Salaga. in Further
Correspondence regarding the Affairs of the Gold Coast British Parliamentary
Papers Cmd 3386 Colonial Office 1882
Prusson, Labelle, Architecture
in Northern Ghana, a study of forms and function Berkely Calif 1969 (includes a Gonja village, Larabanga)
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Mosque at Larabanga, reputed to be 600
years old.
photo - Manu Herbstein, 2001 |
Weaver, Donna M, Kete Krachiee
in the nineteenth century PhD thesis, two vols
KUMASE
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Bowdich's
map of Kumase in 1817. |
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Ghana Museums and Monuments
Board, Asante Traditional Buildings, 36pp, illustrated, undated (2000?).
Published with the support of UNESCO, ICCROM, CRATerre-EAG |
- Bowdich, T. E., Mission From Cape
Coast to Ashantee 1819
- 56 Summoned
to the king. Waited a considerable time in one of the outer courts
of the palace, which is an immense building of a variety of oblong
courts and regular squares, the former with arcades along one side, some
of round arches regularly turned, having a skeleton of bamboo, the
entablatures exuberantly adorned with bold fan and trellis work of
Egyptian character. They have a suit of rooms over them with small
windows of wooden lattices of intricate but regular carved work, and
some have frames cased with thin gold. The squares have a large
apartment on each side, open in front, with two supporting pillars,
which breaks the view and gives it the appearance of the proscenium of a
stage. They are lofty and regular, and the cornices of a very bold cane
work in alto relievo. A drop curtain of curiously plaited cane is
suspended in front, and in each we observed chairs and stools embossed
in gold and beds of silk with scattered regalia. The most
ornamented part of the palace is the residence of the women. The
fronts of the apartments are closed (except for two open door ways) by
panels of curious open carving, conveying a striking resemblance at
first sight to an early Gothic screen. Doors carved in high relief
and painted red. Doors chancing to open as we passed surprised us
with a glimpse of large apartments. . . the most secret appeared
the most adorned. There is always a delay of some minutes, before
the door of each of several distant squares is unlocked. Within the
inmost square is the council chamber.
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- 57 After
a delay of nearly an hour (which seems an indispensable ceremony) in the
outer court (where different dignitaries were passing to and fro with
their insignia and retinue) we were conducted to a large yard, where the
King encircled by a varied profusion of insignia, even more sumptuous
than that we had seen before, sat at the end of two long files of
counsellors, caboceers and captains; they were seated under their
umbrellas, composed of scarlet and yellow cloth, silks, shawls, cottons,
and every glaring variety with carved and golden pelicans, panthers,
baboons, barrels, crescents etc on the top. The shape generally a
dome. Gold canes, spangled elephants tails to brush off the flies, gold
headed swords, embossed muskets.
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- Swithenbank, Michael,
Ashanti Fetish Houses, Ghana Universities Press, 1969
- 1 Bowdich's
book contains a detailed description of the town of Kumasi. It has
drawings of several buildings including the Asantehene's palace. This
was situated in the centre of the town fronting an open space, which was
used for large ceremonial gatherings. It consisted of a large number of
courts surrounded by buildings. In the main these were constructed of
mud plastered on to a timber framework; the external walls were
profusely decorated and the roofs were covered with a thatch of palm
leaves. The main entrance led from the street into a large court
two hundred yards long, which was surrounded by rooms occupied by the
Asantehene's captains and attendants. Leading from the large court
was a series of courts used for different purposes: some of the most
richly decorated were used by the Asantehene's wives. An inner
court thirty foot square contained the royal bed-chamber where the King
slept on a pile of silk-cotton pillows in an elaborately decorated room;
on either side of the entrance, which was hung with curtains of plaited
cane, were small windows with carved wooden shutters, the one the left
being cased in silver, the right-hand one in gold.
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- The town itself was
evidently well laid out, with wide streets planted with shade trees and
flanked by houses. The walls of the houses were decorated with mural
designs executed in relief, like those of the palace. . . There were
four main streets, each about half a mile long and from fifty to one
hundred yards wide. .
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- In the nearby suburb of
Bantama was the Barem, or Royal Mausoleum. The main building housed, in
separate rooms, the coffins of eight Ashanti kings, containing the bones
of the royal skeletons articulated with golden wires. . . . It was
burnt down by Baden-Powell in 1895 . . .
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- 4 The better houses
had internal pit latrines of considerable depth, down which boiling
water was poured daily. The yards and streets were swept regularly
and all rubbish was burned every morning at the back of the streets.
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OTHER REFERENCES
Farrar, V. K. Tarikhu. BUILDING
TECHNOLOGY AND SETTLEMENT PLANNING IN A WEST AFRICAN CIVILIZATION Precolonial
Akan Cities and Towns http://www.mellenpress.com/html/farrbuil.html
Swithenbank, M, Asante
Abakosem: The Traditional Architecture of Ashanti (in Ashanti Research Project,
First Conference, May 17- 20, 1963) Inst. of African Studies, Legon.